Proconditioned both vinyl and digital player are on quite the same quality level (which to me means a much more expensive vinyl setup), here some examples which I would name as Engineers/Mastering studios/Labels, which when they do both analog and digital media from the same recording by the same engineer, produce a vinyl mastering, that sounds more or less always better than the SACD/hires version by clearly more than the typical vinyl artifacts (which are a matter of taste I’d say).
Bernie Grundman & fellows / ORG / ORG Music / Classic Records
Sterling sound & fellows
Doug Sax RIP
Kevin Gray/Cohearent
Steve Hoffman
Sheffield/The mastering lab/Doug Sax
Stand Ricker RIP (not fully sure in his case if he did the digital versions personally, too)
Analogue productions and Acoustech generally (nearly all, as all done by great engineers)
Gateway mastering/Bob Ludwig
Masterdisk/Bob Ludwig
Acousence
Impex
Cisco
Reference Recordings (the old analog recordings only)
MFSL new Gain2 Ultra analog (slightly better). Old MFSL can be the opposite
First impression music (FIM)
Testament
Chesky
Another even more extreme case is: When vinyl masterings are done by above folks (and some other vinyl reissuing labels), and digital versions are available only by their labels standard engineers, vinyl is better by far hands down anyway in my experience.
Then IMO there are tons of digital/vinyl versions (much of what’s reissued today), which just differ by typical digital/vinyl artifacts, but sound extremely close.
Then there certainly are many high class digital albums, which are not available as vinyl and sound fantastic and as good as it can get (2L, Bluecoast, Northstar, Yarlung, Sound liaison etc.), also some with a less “audiophile” status like some Pentatone, most CIC/Aparte etc. and certainly many just “normal” digital albums.
Tons of other great albums only available in digital format are certainly essential for music lovers, too and there are also some, which only exist digitally as remastered version (i.e. Esoteric) and often sound better than their vinyl originals.
I personally just can say all in all I don’t know of many albums/labels, where I’d clearly prefer the digital version for sound reasons if both formats exist (except if extreme macro dynamics, challenging deep bass performance or distortion combined with strong one channel dynamics exceed the ability to be placed on vinyl wisely). In my experience this doesn’t play a major role too often (depending on genre)… very rarely in Jazz, here and there in Pop/Rock/HipHop but more often in classical full scale music.