It’s working reliably on my bench and I listen every chance I get while I’m working (Charlie Musselwhite at the moment.)
It takes a while to write the control software and test every piece of hardware: I still haven’t started any new TSS FPGA code/features: I wouldn’t feel bad releasing essentially Snowmass, but there are some good things I want to do there.
The schematics and layout of next rev of the boards are done, I just want to make sure there’s nothing else that needs addressed before we send them off.
I’m pleased that I, my wife and my daughter all hear what I expected: Deeper, more controlled bass, a sense of ease, lower background noise, … Everything seems more lifelike and I’m really enjoying the added nuances of the expression of the artists, for example small expressive vibrato that I never heard before.