I agree that an ultimate DirectStream should have the best parts we can get (tho the current DS has pretty good parts almost everywhere.)
External power supply boxes arenât necessarily optimal. We sure donât want to share any power supply components between the analog and digital sections. For example if we connect the digital box to the analog box only with an optical cable we donât want to cause ground loops with the power supply connections between a power supply box, the digital box and the analog box.
Four TOSLink jacks? Why not four S/PDIF, AES/EBU, I2S or whatever inputs? I agree that optical connections can be less noisy than copper ones, but I think that careful ground and signal isolation in boxes can work well. TOSLink also doesnât support DSD, double rate DSD, etc.
I do like volume knobs. Also Iâd probably put in auto source selection (like the DS Jr.)
The new Xilinx Artix 7 FPGAs do about 1.5 x as much per cell and have about 1.5 x as many cells per dollar than the Spartan 6âs in the DirectStream. So thereâs about 2 x as many resources per buck. Doubling the sample rate again will still take some work since the Artix line isnât twice as fast as the Spartanâs, but itâs almost certainly possible. On the other hand doubling the sample rate again wonât get the same amount of improvement than the first doubling. I have some ideas on how to use the extra horsepower for better sound in a few other ways: Iâll have to see if they pan out.
We definitely are not at the limits of the current hardware. I was just taking the first question literally and answering it. I know that the next release will further improve the sound quality and Iâm pretty sure I can make a noticeable improvement after that too.
Great news there is more improvement to be had with the existing hardware! Not looking forward to upgrading any part of my stereo at the moment, but will when the time comes. Couple more years of top-of-the-line sound out of the DS sounds great to me. The DS has been a GREAT value in this crazy hobby.
@amsco15 - am in full agreement. By the way, do you really live in Muddy Watersâ house?
No, I live a couple suburbs west. His house was recently for sale and I would be very happy living in that house. It reminds me to be humble in all achievement. He was a monster influence on the culture and he considered Westmont paradise. Westmont is nice but his home couldnât be more humble. Itâs right across the street from a very busy rail line and is small. However, Iâve visited his house (a facsimile) in Mississippi and his previous home in Chicagoâs Hyde Park neighborhood (you can still buy that house - tough neighborhood, not by the University of Chicago) and Westmont, by comparison, is paradise. Itâs just not Malibu where Dylan lives and Muddy should have had enough money to live anywhere he wanted.
A few asides, I have talked to several people that knew Muddy. He was a big deal here in Chicago and lots of people are still alive that worked with him. Like with all people, the reviews are mixed. He did make some real money in his life. Itâs easy to say he was taken advantage of. Maybe, however, wine, women and song took a lot of his money. The flip side to that is Dylan, and others, lived the same life and still had/have real wealth left over.
Westmont does celebrate its claim to fame. There is a very small museum in the city center with several artifacts and pictures. Some pictures exist of Eric Clapton at his house in the yard. Iâve lived in the Western Chicago suburbs, with the exception of a long 20 year plus stint in the Air Force, my whole life and never really knew where Muddyâs house was. I was listening to the Muddy Waters Chess set and saw in the accompanying book that the Rolling Stones sent a telegram to his house in Westmont, on Muddyâs birthday (60th?), asking him to attend their concert at the Chicago Stadium (mid 70s?). A limo would be sent. I thought that was really cool. Plugged in the address on my GPS and took a look.
We definitely are not at the limits of the current hardware. I was just taking the first question literally and answering it. I know that the next release will further improve the sound quality and Iâm pretty sure I can make a noticeable improvement after that too.
I agree that an ultimate DirectStream should have the best parts we can get (tho the current DS has pretty good parts almost everywhere.)
External power supply boxes arenât necessarily optimal. We sure donât want to share any power supply components between the analog and digital sections. For example if we connect the digital box to the analog box only with an optical cable we donât want to cause ground loops with the power supply connections between a power supply box, the digital box and the analog box.
Four TOSLink jacks? Why not four S/PDIF, AES/EBU, I2S or whatever inputs? I agree that optical connections can be less noisy than copper ones, but I think that careful ground and signal isolation in boxes can work well. TOSLink also doesnât support DSD, double rate DSD, etc.
I do like volume knobs. Also Iâd probably put in auto source selection (like the DS Jr.)
Having several Toslink jacks gives me the opportunity to add several mid-fi sources that do not have careful isolation. No matter how well you design the DS, if you have a copper cable coming from an especially noise source, you have a weak spot.
You can add other inputs also, I donât have a problem with that, but I want the Toslink.
Ted Smith said
On the other hand doubling the sample rate again won't get the same amount of improvement than the first doubling. I have some ideas on how to use the extra horsepower for better sound in a few other ways: I'll have to see if they pan out.
OK, so it may not be feasible in the next year or two, but I'd think eventually (maybe?) we'd have to start thinking about the next generation DS. Or is this truly as good as it can ever get?
No, there are some things we couldnât do in the DS because of cost: the most obvious one is that Iâd like to have used high end Jensen Transformers. Doing better isolation of each input was also considered but would have added a bunch to the cost/price. On the other hand there are newer devices out there that can help and one can always do better the 2nd time.
I certainly understand the OPâs thinking to some extent, but I just have to say Ted - for the first time in, what, 30+ years of owning products with DACs in them, and this is the first one I have no sonic issue with and feel no need to improve upon. Thanks!
My wish-for feature would be an external clock input for a 10 Mhz master clock. I suspect Ted will give a good technical explanation why an external master clock isnât necessary in a DirectStream, and Iâve read what Paul has written on the subject (he is luke warm about them). Iâm using a master clock on my new DAC and it makes a world of difference over the internal clock. Mind you, the master clock alone is 4 times the price of a DSâŠin digital, timing is critical. A master clock reference built around a low phase noise Rubidium oscillator in a temperature regulated oven that is frequency stable to 0.05 ppb might be expensive, but if youâre building a SOTA DAC, then having the option of the external clock has merit.
No, there are somethings we couldnât do in the DS because of cost: the most obvious one is that Iâd like to have used high end Jensen Transformers. Doing better isolation of each input was also considered but would have added a bunch to the cost/price. On the other hand there are newer devices out there that can help and one can always do better the 2nd time.
Esoteric owners are blowing $40k on a pair of Grandioso D1 mono-DAC, most of those will be syncâd to a $22k Grandioso G1 master clock. Add another $3k for the clock cable that connects them both. If your aiming point is a SOTA product then the gizzards of your DAC should be cost-no-object.
I have the latest Esoteric network DAC sitting side-by-side with a DirectStream Junior. As much as I like the sound of the DSJ, and all those other things to like about the DSJ, sonically there is a night-and-day difference between them. Point being, if you want to do SOTA then you really need to spend the big dollars. I think DSJ was extremely well executed at its price pointâŠIâd like to see what Ted could come up with if budget wasnât a consideration.
I certainly hope the common sensically priced version of the DS wonât be replaced by a stratospherically priced one.
I wouldnât be able to afford it.
There are other makes out there for stuff like this. dCS for one.
I suspect that Ted is capable of producing a state-of-the-art dac at a still reasonable cost. Of course it will be more expensive than the Directstream, but it doesnât have to be $60k or $100k. Maybe Ted can do it for $10k or $12k.
Tedâs design is very cost efficient. He may be able to make us a $100k dac for $10k.
And you can wait and get a used one.
Ted will probably avoid an external clock. It doesnât really make sense. Everything has jitter and the further you remove the clock signal from the place of conversion the more you degrade it. Ted will probably just stick with the current approach: better, simpler, cheaper. Maybe upgrade the crystal.
Iâd certainly see if there were a better crystal available if I were doing such a product - there wasnât last I checked, but somewhat ironically people keep using smaller versions, which have more phase noise (not a lot more, but âŠ)
I get a kick out of âRubidium clocksâ in ovens for audio. The temperature doesnât change in a crystal fast enough to affect the phase noise that we care about for audio (or at worst adding just the insulation from an oven based crystal will do the same thing as a full oven as far as audio is concerned.) And (once again, as far as audio goes) rubidium clocks are just a crystal thatâs backed up by a rubidium clock. But the rubidium part is only for long term stability, so itâs a waste in an audio product. Donât get me wrong some external clocks are better than some other internal clocks, but they would be even better if they took the build quality (and budget) of a rubidium clock, left off the rubidium part and just used the internal crystal (or even a better one.)
And yes, using a 10MHz external clock would definitely be worse than the current internal clock, using either a well done analog PLL to track the 10MHz clock or using a clock rate converter both add much more jitter than a good internal clock. At the very least if the tracking PLL was implemented with a great crystal, it wouldnât be better being manipulated by tracking something. (Tracking implies changing the frequency, changing the frequency implies more phase noise, at least when the change happens.)