I went to a demo here in nyc this weekend of the new Sasha V speakers, driven by d’agastino electronics and the dealer described as a full DCS stack with master clock.
While it’s not easy to discern exactly what aspect of sound the Dac/streamer was contributing, i have to say it pulled out details I hadn’t heard before.
On Patricia Barber’s If this isn’t jazz (companion album) there is a glass being knocked over by one of the audience during a quiet section (2:20). It’s a simple sound and an easy cue to memorize.
Even though the Wilson system wasn’t being played that loud, I could hear so much more of the glass hitting the table that I ever could.
Less than an hour later I was back at my place playing the same cut (and another I heard demo’d,) and while I thought in general I prefer my system’s sense of life, (my Tad has vapor deposited beryllium concentric drivers and a ‘stat supertweeter) I still couldn’t reproduce the glass falling with the sense hearing the glass full front and center rather than a more of a distant tinkle in my system.
The Wilson’s were set up almost right against the front wall, in an effort to show that speakers don’t have to be out into the room to sound good (space being a premium here in NYC) so I’m not sure how much that might have added/detracted, I’m still left feeling that DCS stack is really something special.