Yesterday went to the local record store and got various fun stuff, but out of the audiophile-ish vinyl discs I got, one is JT’s Hourglass, which - believe it or not, I’ve Never Actually owned in any form - or for that matter, listened to, though I’ve read about it a lot over the years.
I am familiar with most of the songs on this album, however, from the “Live at the Beacon Theater” DVD I’ve had since around that time. My very young kids (15-20 years ago) developed an appreciation for JT via watching that disc in surround on the Home Theater in the basement back in IL. Still an amazing document/beautifully performed and recorded show, with fab video/audio/lighting.
At the time I went to a seminar at Gand Music and Sound in Northbrook, IL (place I used to buy my pro gear) featuring Frank Fillipetti. I knew of him, and knew that he had recorded this album and demos for it with the then-brand-spankin’-new Yamaha O2R Digital mixer. Crazy-Ass New Tech at the time, in the midst of the transition from Analog to Digital.
He had gotten a loan of this Really Super New Thing from Yamaha, and had gone to James’s Barn on Martha’s Vineyard to record some rehearsal sessions for the record. It was one of those Things that Engineers at his Level were party to. He didn’t expect much, and didn’t expect to use any of it for anything other than demos for the album.
Most of what they recorded ended up on the album.
He was as surprised as anyone.
As a side tech note, in his introductory talk, he mentioned that you shouldn’t get too literal about the Digital Meters on the 02R. “Go into the Red”. That struck me, as the Thing at this point was that this new Digital Zero Ceiling Thing was thought of as an absolute.
You go Over Digital Zero, and SPLAT! Nasty Crap Digital Distortion! Unlike analog which goes over 0dB softly and smoothly, creating 2nd and 3rd order harmonics - and All of those in attendance were used to a Lifetime of being able to push various pieces of gear above 0dB with Generally Happy Sonic Results.
So, when the “Questions from the Audience” part arrived, being near the front, and being rapt throughout his talk, I ended up being the first called on*.
I asked Frank, “How Can That Be? Isn’t Digital Zero an absolute?” And he sort of shrugged and said something along the lines of, “Use your Ears”.
That stuck with me. I’m guessing in retrospect that Yamaha, knowing they were introducing a Very New Thing to Lifelong Analog People, built in some headroom to the meters on this board. Most digital devices and boards that followed went SPLAT when you went over Digital 0dB.
*Gary Gand thanked me afterwards for starting things off on a good/gear-related foot, as apparently most seminars with Frank F. And his ilk were typically followed by questions such as, “What was it Like to work with Barbara Striesand? OMG, you’ve MET HER!! What’s she LIKE in Person!!!??”