Equipment tested: Belden IconoclastTM TPC speaker cable, 18 ft length
Associated equipment: Nordost Valhalla and Odin speaker cables. Belden IconoclastTM UP OCC balanced interconnects, Nordost Frey and Valhalla interconnects. PerfectWave DAC II, DirectStream DAC. Conrad Johnson, Bryston and Hypex nCore amplifiers. Devialet 250. Jadis and PS Audio preamplifiers. Magico, Thiel and custom designed line source speakers. High resolution AIFF files from several dedicated music servers.
I must note that about 3 weeks prior to adding the Belden speaker cables to my system I had obtained a demo pair of IconoclastTM UP OCC balanced interconnects which pass the signal between my DirectStream DAC and amplifier (no pre-amp). Although this is not a review of the interconnects, I had time to acclimate to them in my system and I will say in passing that they, too, are an outstanding product and they will be replacing my Valhallas when they are available for purchase. I also had the good fortune to travel with the Belden speaker cables in order to listen to and compare their sound on several fine established systems, hence the list of components above.
Report:
Physically the Iconoclast cables are small in cross section when compared with some others on the market but quite heavy (or dense), given the amount of copper contained in each one and the relatively tiny amount of insulation separating the individual strands. They are rather stiff and not meant to be bent at sharp angles. Although this stiffness may cause some difficulty with certain in-wall installations or setups that exist in particularly tight spaces, overall they are manageable and less obtrusive than some of the larger-than-garden hose cables available. The appearance of the cables is appealing, being a colorful red and charcoal combination with a nicely finished glossy exterior covering, which I understand is quite durable.
The sound? Outstanding.
-Clear. These cables give a clear, detailed presentation of the music. Your source components had better be good! These will not hide or smear over defects that are upstream from them, yet they do not sound cold, sterile or clinical. Glare is not apparent in the mids, even during louder passages. Treble frequencies are very delicate but quite energetic. Bell-like tones are sweet. Cymbals are convincingly clear without “tizz”, glare or distorted crunch in the attack. You are able to hear considerable detail and overtones in their decay as well. During loud passages evidence of congestion is not apparent and individual instruments can be heard distinctly from others in the mix. Backing vocalists can be identified singularly, even when the music is busy and energetic. I found it to be really sweet to be able to listen into the mix and identify singers as individual performers rather than just as a “backup singer sound”. A few, mostly pop recordings, that I thought were just walls of over-compressed noise and painful to hear were actually quite listenable even at louder volumes when played back through these cables. Will they fix a “bad” recording? No, but my list of unlistenable material just got much shorter. I did not expect speaker cables would do this, in particular, and I am very happy that they did. Big orchestral passages came forward with more impact and detail with much less congestion and blur. The IconoclastsTM seem to give the sense that the amp has increased control over not just the woofers, but the midrange drivers as well.
-Dynamic; they sound very dynamic. I was surprised that when I hooked these up and listened with the same volume settings, the impression was that the system was considerably louder than I expected but measurement of the average SPL revealed that it was relatively the same as when I had listened with my own cables. I attribute this to the enhanced delivery of transient energy with the Beldens. The dynamics, impact, PRaT (Pace, Rhythm and Timing) and coherence are very impressive. This adds up to a very involving experience and gets the toes tapping in a big way. My own relatively modest amplifier sounds much more impressive now.
-Tonal balance. Excellent and again, pleasingly musical. Bass is convincing, focused and sounds well controlled and clear, especially in the midbass region where much of the character of an acoustic bass lives. Midrange solidity and image are outstanding. Vocals are full sounding and solid without bloat that can give an exaggerated sense of warmth. Nor is there added edgieness that is sometimes mistaken for sharper imaging, a welcome find. Piano, one of my favorite instruments to listen to, is wonderfully dynamic with a fine balance of highs, lows and overtones. Just outstanding. Treble brings me back to clarity. To me, the purity of the higher frequencies with these cables is one of their best features. A good amplifier will really shine through these and reveal a top end that is very detailed and pleasing.
-Imaging. Excellent, without being “etched” or clinical sounding. Instruments and vocals have a solid sense of occupying their own space both in the left and right as well as front to back dimensions. I have heard better “you are there” presentations, but only from cables costing up to (?) ten times as much and this by no means indicates that there is something that I dislike about the Belden’s ability to deliver. Again, the imaging with these cables is excellent and the IconoclastTM holds it’s own against costlier offerings from other manufacturers.
Anecdotally, I often will change things to see if my wife, Terri, reacts to the differences in sound. To be fair, she knew that I was installing the Beldens in my system but unprompted, she began to rave about the sound quality upgrade that occurred. Ordinarily she is not one to care much about what I am up to with the stereo, likely because I am always adjusting or trying something different. When she does comment, either in the positive or negative, I am assured that what I am hearing is validated. This time it was in spades. She tells people about how good the system sounds now and even upstages me in her conviction that the sound is so much better. Pretty neat!
On the surface it might seem that a first foray into the high-end audio speaker cable market could not reach this high, especially given that the cables reviewed were exotic only in their design, and not materials. To provide access for those not blessed with a fat wallet, Galen Gareis, a senior product engineer for Belden and audiophile, made a point to have standard copper versions of his cables available so as to elevate the entry level into high end cabling on a more reasonable budget. His conviction that the design of the cable trumps the material selection in a big way was also a driving factor in this choice. He tells me that the emphasis on exquisitely engineered and tested design is “a Belden thing.” Success? Most definitely, yes. When you consider the massive extent of the technological ability and experience in signal transmission that Belden has, coupled with the dedication and expertise of one of their engineers, it seems right on the mark and not the least bit surprising. This sort of thing is exactly what they do, and do well. A home run for Belden and for us.