No more sleepless nights tracking a package.
The delivery guys hadn’t brought the third box from the truck while I was already slicing the tape of the first box.
Immediately hooked some KEF Q-100 to the amps, and the Airport Express to the analog 1 inputs. The idea being to test run the smallest bookshelves, with the lowest quality source. And then take notes.
Straight away, transparency, solidity and neutrality was what came through. Reference tracks opened to the limits that the KEFs could reproduce, but letting a lot more come out. To my delight everything sounded exactly as I had hoped, analog and uncolored. I can only anticipate the beauty of proper size speakers and top quality sources to be reproduced. No other amp had openened those bookshelves as the Stellar did, that for me is enough to evaluate the amplification signature and analog nature of the GCD. Had I used better speakers to test, and the waves could have been muddied with analysis parálisis. The moment that came to form a real emotion during listening was Chuck Mangione’s Feels So Good, after the brass intro. It gave me goosebumps when it just flooded me with the being in the studio moment. Yes, a mere pair of bookshelves always being described as needing a subwoofer. That was the point of starting from the bottom and work my way up. I have no doubts that the SVS Ultra towers was the correct choice, after this first test of an easily discarded small speaker. Will continue to run a size up speaker one pair at a time to contemplate dynamics and other factors that only bigger enclosures can deliver.