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Just got around to this. The first wasnāt that bad but, having reached the second, it is a lot more playful.
I doubt anyone has heard, let alone thoughtfully compared, the hundreds of recordings of this work.
You got me!
Itās just so much better sounding than all other great ones I heard, so that I dared to say 
Iāve never heard one in DSF - whatās that?
Inspired to listen to this one:
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DSF is a file format for DSD which allows the inclusion of metadata.
The Richter/Vivaldi album sounds exactly as you would expect: Vivaldi Meets Richter. It is fun when one knows the original well, which I am certain you do. 
I relate the Richter version to a fabulous piece for the Paris Opera Ballet by Crystal Pite, which was performed at Covent Garden.
Pite also creates works for the Royal Ballet, most recently a piece about refugees, specifically for Marcelino Sambe, set to GĆ³reckiās Symphony of Sorrowful Songs. Weāve seen it twice and it is also a fine piece of music.
I get just as much pleasure from listening to any of Vivaldiās 4 sets of 12 violin concertos, and the equally populous bassoon concertos, specifically the Sergio Azzolini recordings.
The weirdest Iāve ever heard. Tempos all over the place. At the beginning of Summer they seem to forget that they are playing music are are minded to stop for a cup of tea, but the finale is so fast itās impossible to play the notes. Autumn started perfectly normal, but then descends into chiselling violins like the Bates Motel. Spring has bowing that it seems the strings are being hit giving another bizarre dynamic, and there seems to be an organ puffing away in the background.
I listened to Richter and prefer it to the original. This one I can take no more.
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I agree, itās special. And nothing for traditionalists (I donāt say you are oneā¦as much as Iām not someone who needs the special for the sake of āthe differentā).
I for the most part find it comparatively slow, with strongly wavy speed, expression and dynamics. I love this one as much as my other favorite pictured below (available as 33 and 45 vinyl remasterings, which are equally special, namely comparatively fast played, but fresh, unusual, fascinating). Probably you wonāt like this one, too.
For me, the old war horse āfour seasonsā has to catch me in a way how itās played and how it sounds. Most of the traditional interpretations donāt do (anymore).
I love this oneā¦the beginning is a masterpiece.
Wonderful, I wish that Iād seen this ballet performance with the Richter version! I think I have at least two digital and the LP version of the Richter recomposition.
Hereās a few.
The best is without doubt the green box, a selection of concerti by Concentus musicus Wein under Harnoncourt, with Jaap Schroder, Gustav Leonhardt and Franz Bruggen. Das Alte Werk recorded and produced by Telefunken. The best of everything really. Also a very early original instruments version. There is another famous version of the Four Seasons, same band, with Alice Harnoncourt on the fiddle.
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My wife told me this morning that she had tried to get tickets to see it again in Paris in September, but sold out in minutes. She loves that music as well, but Crystal Pite is worth travelling for.