I am sorry but my experience is otherwise.
I absolutely agree that the DSD recorded and mastered music generally sounds better than main stream recordings. But rather due to the skills of the recording and mastering engineers who really need to know what they are doing when working with DSD as it offers very limited DSP possibilities.
Whether that music is then played in vinyl, Redbook CD, converted PCM or native DSD is rather academic unless you have a extremely refined hearing and a extremely revealing (very expensive) system.
The lack of available DSD content apart of Octave Music and Blue Coast Music is another big issue.
There simply is not much choice.
On top of that DSD music from more popular artists is prohibited from the audience.
I tried to buy a DSD remastering of Nils Lofgren’s Acoustic Live album, remastered by Gus Skinas. The transfer did not go through. So I phoned the US based online shop to ask what’s wrong and they told me that they can only sell vinyl, CD’s and redbook CD quality files, but not DSD due to author rights.
That really is a big PITA if you just spent thousands of Euros on DSD capable equipment. Apparently our money is not good enough for the filthy rich managers in the music industry.
The marginally tiny sound improvement (that most of us will never be able to hear) that high res files offer is not worth the trouble and extra cost.
So I have given up on DSD play back equipment. The Redbook CD and vinyl copies of Gus Skinas’s and Cookie Marenco’s music sound extremely well compared or other recordings on CD. On the other hand I am not able to distinguish the Redbook CD copy from the high res DSD file that I bought and paid for also.
Why spend EUR 7500 on a PST (Perfect Wave Super Audio CD transport) for so limited or no benefit?
For Stellar budget, although still no pity money, I would have tried, but there are other threads on the request for a more affordable Stellar SACD transport and the clear message from PS Audio and those who are in the league who can afford to spend EUR 7500 on a transport is clearly no.
The conclusion is that the music industry and audio industry all together are not willing nor prepared to make DSD a main stream product, even for enthousiasts who are willing to fork out Stellar budget.
I enjoy my Redbook CD and vinyl copies of the DSD recorded music as well as good recordings in PCM. It is the skill of the artist, and recording and mastering engineers that matters most to bring across the good music.