Frank, I got the same message. I wonder if you have to be signed in? I’m not a member, but I have been able to read linked posts in the past.
It could have been pulled, Ayre’s owner has been posting at the Asylum, a lot and is really anti MQA. I personally think he has been cool about it, sighting facts, and info. But if MQA has any influence over at CA they may have been removed.
Mostly the discussion has been the lack of actual comparisons, of which I believe there may be some over at 2L, but those that claim the MQAs sound better than the 16/44 of albums at Tidal are finding that when they look at the files, they are different versions, with less compression and higher output. The bottom line being that it is not MQA itself, but better masters.
The other concern, which I agree with, is that if MQA becomes the only available version, as opposed to hi-rez downloads, the record companies and Tidal could then raise prices. Maybe make it so you can only rent the music, or buy vinyl, as no one rips that, then resells the disc. It also appears that they are using the archived tape transfers that in Warner’s case were done at 24/192. Some of which we have access to now, at a premium price.
And then there are the usual arguments that it is solving a problem that didn’t exist. That the patents don’t seem to match what they are doing, and how the claims made in the beginning, have changed. I am usually not a fan of Waldrep, but he has made some good points. The most damning being that MQA was going to take some of his recordings, and apply the MQA processing. He sent the files in, and finally gave up asking when they would be sent to him. I think it has been 3 years now. If it would have improved on his 24/96 recordings, he would have been a worthwhile advocate, as he has the anti snake oil faction of the audiophile community. I don’t agree with everything he claims is snake oil, but those people do.
I personally have found Hanson’s posts to be coming from a person who cares about the high end, and is taking a stand, that will cost him some customers. Paul has shared his feelings about MQA, but wants to keep all of his customers happy. And doing it is not going to cost the consumer, but it is costing PSA. That is why I am bothered by the whining, it is not PSA that is the holdup. And don’t get me started on the P20 handles. I wonder how many people told the owners of Levinson, when they went to those vertical amps, “we don’t care if they sound better, they don’t look like the last version”. I think Paul was really proud of the new P20, and no one even considered that, while they were insulting the design. Just get it in black, and appreciate the improved performance.